Eva Yefremova

I've been learning to read Cyrillic and Greek letters lately, mainly because I've been playing the game GeoGuessr. (If you haven't played it, I highly recommend! It plops you down somewhere in the world in Google Street View, and you have to figure out where you are.) Cyrillic shows up in so many more places than Russia! You can see it in Bulgaria, Mongolia, Serbia, Montenegro, Kyrgyzstan, and more.

Because of that, I made sure to include a fun double-uppercase version of those alphabet sets in Sleepy Bear. They're styled the same way as the Latin characters: all uppercase height, with some lowercase-styled letters thrown in at that same height for a fun look for all ages.

I've also made two weights of Sleepy Bear: a plump and smooth regular weight, and a lighter weight that's built to stack on top of the regular (though you can use it on its own). Just type out a word in Sleepy Bear, copy it, and then change the copy to Sleepy Bear Light. You'll get a great outline look in seconds!

All characters are extensively cleaned up, with smooth curves and rounded ends. Sleepy Bear is great for all print projects, and also cuts out of all materials like a dream. It's a cute and quirky monoline font family that's great for all of your family's designs.

Each font contains over 850 glyphs, and includes:

- Latin and extended Latin characters to support over 100 languages;

- Cyrillic and Greek double-uppercase alphabet sets;

- 18 fractions;

- Punctuation galore;

- 38 double-letter ligatures for variety (including international pairs like KK and II);

- And a half-dozen alternates for even more variety!

Lanetta is the perfect mixture between a blackletter and serif font. It's narrow characters give it stylistic appeal that you just can't get anywhere else. It's the perfect font for the fall/winter seasons, too.

Perfect for use in letters and documents, branding and logos, websites, book and album design, themed projects, and anything else that could use edgy elegance.

Glyph count: 440.

Supports most western languages.

Sincerity Stencil is the new extension of the typeface Sincerity. It's a fierce and elegant typeface identified by its high contrast, sharp shapes and triangular. The stencil component of this new version will add originality to your designs.

Its large variety of glyphs, including accents, old-style numbers and ligatures will give uniqueness to your designs. It's a great fit for branding, magazines, newspapers, and so on.

Sincerity Stencil is available in 16 styles, from thin to black in roman and italic.

Soulections is a Signature Script font. With bold stroke, slanted and fun character with a bit of ligatures. To give you an extra creative work. Soulections font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Soulections font.

Cheers,

MaulanaCreative

Hello Everyone, introduce our new product Headbears - Sport Display, inspired by the title of the sports poster and We make it very energetically. Headbears font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Features:

• Variable Font
• uppercase & lowercase
• numbers and punctuation
• multilingual
• 9 weight & 18 Style
• PUA encoded

More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font

if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

Font Cap is a font based in ancient arches , it has a clear text and Greek and Cyrilics characters .

Intertitle cards from a 1942 newsreel inspired the like-named Newsreel Text JNL, which is available in both regular and oblique versions.

Experience the precision, elegance and history of the Chalet font family. This collection of ten typefaces in three unique styles is the creative genius of acclaimed clothing designer René Albert Chalet. Originally used in his early advertising campaigns, Chalet appropriately echoes the attitude of its creator: function with flair. Modest and unpretentious yet bold and daring, Chalet’s distinctive air allows for a variety of uses ranging from text to display applications. Add modern panache to any design with the Chalet font family.

CHALET CREDITS:

• Typeface Design: Ken Barber, René Albert Chalet
• Typeface Production: Rich Roat
• Typeface Direction: Ken Barber, Andy Cruz

Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

While we can’t comment of the suggested definitions for ‘tuggle’ that you might encounter online, we are happy to expound on Tuggle’s quirky and endearing characters. The gravity of its bellbottom slab-serif structure is mitigated by soft rounded corners, while surging swashes and globular stroke endings further attenuate Tuggle’s otherwise would-be uptight tenor. The ideal typographic solution for children’s blocks, candy packaging, vape shop signage, and hospital way finding. Pair Tuggle with an equally juicy script like Dave West’s Superstar. Designed by the Photo-Lettering staff, and digitized by Susana Carvalho.

TUGGLE CREDITS:

• Typeface Design: Photo-Lettering Staff
• Typeface Digitization: Susana Carvalho
• Typeface Production: Bas Smidt
• Typeface Direction: Erik van Blokland, Ben Kiel

Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

The hand lettered title for the 1954 film “Power of the Press” was done in a condensed sans serif type style that is now available digitally in both regular and oblique versions as Local News JNL.