Showing posts with label Clear. Show all posts
Showing posts with label Clear. Show all posts

[wjjfn] Download Orto fonts from LetterPalette

Orto
Orto OrtoOrto



Orto is a type family of sans serif fonts in eight weights. It's a humanist typeface with real cursive, containing both Roman and Italic styles. The letters are designed to look good on screen, they have a bit narrower proportions and simple shapes. Their structure is based on flat horizontal and vertical strokes, which are emphasized wherever possible. That’s where the name comes from: Orto is an abbreviation of the word orthogonal. Thanks to its narrow width, the typeface is less space-consuming and adapts well to the screens of smaller devices. It is legible in small sizes, thanks to the larger x-height. The characteristic details, like bent ends of diagonal strokes, stand out when used in larger sizes. Orto can be used equally good in print and its overall neutral look fits different contexts. However, its character is pretty recognizable.

Orto contains Latin and Cyrillic script and covers six codepages:

Latin 1, Latin 2, Cyrillic, Turkish, Windows Baltic and MacOS Roman.

It has basic OpenType features like ligatures, oldstyle numerals, proportional and tabular lining figures, fractions, superiors, etc. Capital German sharp S shows up when the lowercase is typed between two uppercase letters, and the Contextual Alternates feature is turned on.

The Stylistic Set 01 changes the shape of the Cyrillic b.

The Stylistic Set 02 is a shortcut for using Serban Cyrillic alternatives that differ from Russian in cursive.





[rtqlm] Download Cap fonts from giftype

Cap
Cap CapCap



Font Cap is a font based in ancient arches , it has a clear text and Greek and Cyrilics characters .





Vinho De Amora fonts from Mans Greback - (scuvw)

Vinho De Amora
Vinho De Amora Vinho De AmoraVinho De Amora



Vinho De Amora is a truly vintage serif font. 


Drawn by Mans Greback between 2019 and 2021, this font is created with inspiration from wine cellars, painted typography and genuine quality produce. 


It has a distinct sharp character, steady legs and a bold and wide appearance. 


The Vinho De Amora family consists of three styles: Black, White and Stencil; each one geometrically consistent and complimenting, perfect for stacking on top of each other to create more variations. 


The font is built with advanced OpenType functionality and has a guaranteed top-notch quality.

It has extensive lingual support, covering all European Latin-based languages. 

It contains all characters and symbols you'll ever need, including all punctuation and numbers. 





Download Mancunium Fonts Family From K-Type

Download Mancunium Fonts Family From K-Type
Download Mancunium Fonts Family From K-Type Download Mancunium Fonts Family From K-TypeDownload Mancunium Fonts Family From K-Type



Mancunium is a sans serif family with a contemporary monolinear character, though designed with the iconic proportions of Roman capitals in mind. In addition to reliable romans, the typeface includes proper, optically corrected italics. Also, uniquely, a set of ‘vertalics’ that contain the more script-like glyphs of the italics with angled stem terminals, but which are unslanted and upright in aspect, and without the slight narrowing of the italics. Each font includes a full complement of Latin Extended-A characters and additional oldstyle numerals. Mancunium is sold in two collections – a Regular/Bold package and a Light/Medium package. Each package contains six fonts - two romans, two italics, and two vertalics.


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Download Fleabitten Fonts Family From Hanoded

Download Fleabitten Fonts Family From Hanoded
Download Fleabitten Fonts Family From Hanoded Download Fleabitten Fonts Family From HanodedDownload Fleabitten Fonts Family From Hanoded



I love going to flea markets and second-hand stores; in fact a lot of the furniture in our home is second hand (or pre-loved, a euphemism I find rather peculiar). I personally believe that buying used products is a good way to help this planet, as no new stuff needs to be made and the old stuff gets a second life. Fleabitten is a ‘western style’ serif font. You could use it to pimp the posters for your line dance festival, but hey, be creative! I am sure you’ll find some good use for this very nice pre-loved font. Yes, pre-loved: I loved it first!


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Download Yassitf Fonts Family From Ingrimayne Type

Download Yassitf Fonts Family From Ingrimayne Type
Download Yassitf Fonts Family From Ingrimayne Type Download Yassitf Fonts Family From Ingrimayne TypeDownload Yassitf Fonts Family From Ingrimayne Type



Yet another san serif typeface, Yassitf is a generic sans, a font meant to blend in rather than stand out. It has little contrast and is almost monoline. It includes three widths: condensed, narrow, and regular. The widths have four to six weights: ultra thin, thin, light, plain, bold, and extra bold. Further, each width and weight combination has both upright and italics styles. The thirty fonts in the family contain several open-type features, including both proportional and tabular (monospaced) numbers.


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Download Noema Pro Fonts Family From DBSV

Download Noema Pro Fonts Family From DBSV
Download Noema Pro Fonts Family From DBSV Download Noema Pro Fonts Family From DBSVDownload Noema Pro Fonts Family From DBSV



About family “Noema Pro” Steps… The name “Noema” is again borrowed from ancient Greek word, which may have different meanings depending on the phrase: meaning, logic, significance, purpose, reason, value, nod, implied. In this font i tried and here(like in “ErisPro”) to give a different illustration in letters with a reverse dial(…sloping or recline) from Italic, simply because of whims or because the monotony is tiring me… This series is composed and includes twenty-four fonts with 658 glyphs each, with true italics, true Sloping and supports of course: Latin, Greek & Cyrillic.


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Download Bw Seido Raw Font Family From Branding with Type

Download Bw Seido Raw Font Family From Branding with Type
Download Bw Seido Raw Font Family From Branding with Type Download Bw Seido Raw Font Family From Branding with TypeDownload Bw Seido Raw Font Family From Branding with Type



Bw Seido Raw strikes a balance between crude engineered geometry and the demands of legibility and pragmatism a workhorse typeface needs. The result is a highly functional type family with an industrial feel, ready to be used anywhere from screen-based to print. The stylistic set accesible through the OpenType panel presents a more neutral feel by removing the sharp bends on some key characters. It consists of 12 styles (6 uprights + 6 matching obliques) supporting all European Latin languages. It contains many OpenType features like slashed zero, fractions, case sensitive forms, localised forms or ligatures.


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Download Framework Mono Font Family From High Peak

Download Framework Mono Font Family From High Peak
Download Framework Mono Font Family From High Peak Download Framework Mono Font Family From High Peak Download Framework Mono Font Family From High Peak



Framework Mono is a modern monospaced typeface. A close relative of the original Mittelhorn font family, with whom it shares some letter and number design features, the two fonts are ideal companions. It comes in 3 weights, 3 uprights and matching italics. Designed with opentype features, each weight includes extended language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and for any display use. It could nicely work with code editors, web, editorial design, as well as corporate tabular data sheets and more. Enjoy!


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Download Niko Font Family From Ludwig Type

Download Niko Font Family From Ludwig Type
Download Niko Font Family From Ludwig Type Download Niko Font Family From Ludwig Type Download Niko Font Family From Ludwig Type



Niko is a contemporary, humanist sans with a friendly yet clear and distinct personality. It is designed for excellent legibility, particularly for long continuous reading. The wedge-shaped stem heads add liveliness and variety to the carefully crafted letterforms. Niko, a highly versatile type family consisting of 54 styles that are designed to work equally well on paper and on screen. The family includes condensed, as well as extra-condensed variations, for situations where space-saving typography is required.


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Download Ambiguity Font Family From Monotype

Download Ambiguity Font Family From Monotype
Download Ambiguity Font Family From Monotype Download Ambiguity Font Family From Monotype Download Ambiguity Font Family From Monotype



Ambiguity is a type family with five distinct personalities or ‘states’, created as a tool for coaxing designers and brands out of their comfort zone. It embraces both tradition and radicality, as well as generosity and thrift, encouraging us to question our beliefs about the intersection of style and meaning. The family is designed by Charles Nix, who describes Ambiguity as “as much thought experiment as typeface.” Its five states—Tradition, Radical, Thrift, Generous and Normate—each express or subvert different aspects of typographic tradition. Tradition is conservative, relying on historical letter shapes. Radical rejects inherited ideas of proportion, making typically slender letterforms wide, and wide letterforms slender. “It’s contrarian,” says Nix. Thrift cherry picks the condensed shapes from Tradition and Radical, while Generous does the same for wide forms. Normate sits at the center, a synthetic blend of all of the others. “Tradition is very comforting,” says Nix. “It’s the mask of conservatism. It’s calming because it delivers the proportions we expect. With Thrift more fits into a smaller space, so it’s great where words want to get large, like gigantic headlines, or text needs to cram in, like small screen type. You get a sense of carefree and luxury from the Generous cut. One would expect the Radical to be used in a sort of Dadaist way, but in a classic context it provides an enjoyable jolt.” Ambiguity is a litmus test. Designers could spend hours trying on typefaces that offer just one of these voices. Ambiguity provides five different personalities—ideas—beliefs—each of which also work seamlessly together. “It’s a palettea, like idea cards,” he says. “It’s a way of making yourself see differently. My hope is that traditionalists will try on radical clothes and vice versa. It’s a way of exploring outside your comfort zone, breaking out of the doldrums, by stepping through a variety of voices.”


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