Seamize is a display typeface, with a few experimental vibes and a semi-psychedelic feel.
It works perfectly for creative projects such as logo, T-shirt/apparel, badge, invitation, packaging, headline, poster, magazine, greeting card, and many other purposes.
Reymond is a lovely and timeless handwritten font. It is the best choice for creating eye catching logos, branding and quotes. Every letter has a unique and beautiful touch, which will make your design come alive!
Adverb Mono is an atypical monospaced, squared proportional, slab-serif and low contrast typeface inspired by the American Type Founders' "OCR-A" and the latest work of Adrian Frutiger "OCR-B" designed during the second half of the 20th century.
The typeface (in his 1.00 version) counts five different weight, from Thin to Bold, and a pixelated redesign of the regular weight inspired by the retrogaming consoles' graphics.
It counts more than 240 different glyphs continuously updated.
Designed by Gabriele Bellanca for IED Florence Typography Masterclass 2020/21. All rights reserved.
Hydrella is a modern sans serif with sharp, unique features and moderately high contrast. Its easily distinguishable attributes provide just enough of a fresh new look without overpowering the overall design.
Available in 9 weights, Hydrella works well as both a display typeface and in smaller sizes.
Kinghood is a delicate and elegant serif font. You can use this modern serif font with ligature & stylistic set for fashion, magazines, cooking websites, quotes, social media posts, labels, and many more! Add it confidently to your favorite creations and let yourself be amazed by the outcome generated.
Cardigan Christmas // Modern Calligraphy is a stylish script font that features a varying baseline, smooth line, modern, and depth of love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, weddings, invitations, signatures, logos, branding, t-shirt, letterhead, signage, labels, news, posters, badges, etc.
Each Font Has:
Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web.
One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014.
The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.
Unique and decorative signage for many drive-ins, motels, food stores and other businesses of the 1940s had what was referred to as “privilege signs” provided by one of the major cola brands.
Consisting of the brand’s emblem on a decorative panel, the remainder of the sign would carry the desired message of the storekeeper (such as “Drive-In”) in prismatic, embossed metal letters.
Inspired by the Art Deco sans serif style of those vintage signs, Privilege Sign Two JNL recreates the type design in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.
This is a companion font to Privilege Sign JNL, which recreates the condensed sans serif lettering of other privilege signs from
the 1950s and early 1960s.
Built in 1928 in Wichita, Kansas, the Uptown Theater started out as a movie house, but today still exists as a dinner theater.
Online images of this vintage venue’s perpendicular wall sign show the theater’s name in an Art Nouveau influenced angular style with rounded terminals – similar to that of pen drawn sign lettering of the era.
Adapted as a digital type font, Silent Film JNL is available in both regular and oblique versions.
A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature.
This type style is now available as Travel Plans JNL, in both regular and oblique versions.
Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”.
The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions.
A blank space to place between words is available on both the solid bar and broken bar keystrokes.
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